Over the course of a 30-minute multi-channel montage, Emmaline and her grandmother, Mila, interact via a series of haphazard home-made contraptions and gestural exchanges that draw from Mila’s history as a factory worker across multiple industries throughout her life. Dynamic Drills searches for parallels between aesthetics of manufacturing and the mechanics of memory, proposing family legacy as a form of collective, repetitive production. This exhibition is the outcome of Emmaline’s Master of Arts Photography program at Photography Studies College.