George

Lane Cormick’s exhibition comprises a series of diptych black and white prints on acetate, which are overlaid with a pattern of collaged enamel paint dots from hole punch chads. The diptychs use mirrored photographs, found images and revisit abstract drawings from his archive. The exhibition continues Cormick’s aesthetic investigation of their brand, repetition, reproduction, and fandom.

Cormick’s work draws from a wide array of influences including the aesthetics of the industrial and functional, investigation of skill and technique, performance, music, conceptual art and minimalism, and contemporary culture. These influences feed into an art practice that is open-ended and without predictable outcome.