Emmanuelle Andrianjafy (MG)

Nothing’s in Vain

Image: Emmanuelle Andrianjafy, from the series
[Nothing’s in Vain], 2017.

Image: Emmanuelle Andrianjafy, from the series Nothing’s in Vain, 2017.

Region

Central

Accessibility

Wheelchair access

In 2011, Malagasy photographer Emmanuelle Andrianjafy arrived in the port city of Dakar, which overlooks the Atlantic Ocean from the westernmost coast of Africa. For the first years of her migration, Andrianjafy was overwhelmed by the city. But eventually, she knew she had to confront her new environment.

Nothing’s in Vain is Andrianjafy’s response to the experience of uprooting to the Senegalese capital—“a city as vibrant as it is disorientating”. Her photography captures a metropolis teetering between construction and deconstruction. Each image careens between street scenes, portraits, landscapes, and close-up details, recreating Andrianjafy’s fluctuating experiences of a multifaceted city.

Presented by Photo Australia and the Metro Tunnel Creative Program for PHOTO 2021

On display from 18 February 2021

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Artists

PHOTO Channel

Founding Partners
  • Bowness Family Foundation
  • Naomi Milgrom Foundation
Major Government Partners
  • City of Melbourne Arts Grants Program
  • Creative Victoria
Major Partners
  • Maddocks

PHOTO Australia respectfully acknowledges the traditional custodians of the lands upon which we work and live, and the rich and diverse Indigenous cultures across what is now called Australia. For over 60,000 years, Indigenous arts and culture have thrived on this sacred land, and we honour Elders and cultural leaders past and present. This was, and always will be, Aboriginal land.

01–24 March