Channel

James Henry, from the series [Kulin Generations] (2022), PHOTO 2022 installation view. Commissioned by Photo Australia for PHOTO 2022. Photo by Will Hamilton-Coates, courtesy of Photo Australia.

Views from the Inside: Reflections on Photography, Place and Community at PHOTO 2022

Image: David Moore at Family of Man in Sydney, 1959

Essay—All Too Human: Photography Exhibitions in Australia

Image: Hayley Millar-Baker, detail from [I Will Survive], 2020. Courtesy the artist and Vivien Anderson Gallery.

Memory, Place, Image: Photography in a post-truth age

Image: Brook Andrew, [Resident and visitor Marcia Langton Yiman and Bidjara Aboriginal nations, born Australia], 2016. Collection musée du quai Branly Jacques Chirac 70.2016.61.1.

Perceptions/ Reconstructions, about photography

Kate Golding, 'Unlearning Cook, Part Three', 2016. 16 fixed lumen prints, 81 x 102cm. From the series 'Unlearning Cook'.

Colonial Ruins on Bleached Margin

Image: Daniel Crooks, [Portrait #11 (Hannah)], 2012, Lambada photographic print, 130 x 130 cm, image courtesy of the artist and Anna Schwartz Gallery.

The Permeability of Photography

Louis-Jacques-Mandé Daguerre , Boulevard du Temple, c.1838, daguerreotype

A Brief History of Photography and Truth

Ruth Orkin, American Girl in Italy, 1951

A Brief History of Photography and Truth

Image courtesy Stephen Tayo

The New Black Vanguard – Antwaun Sargent

Minstrel Kuik: She who has no self

Eliza Hutchison, Family Photos and the fallibility of memory